Q: Your new single is titled “I’m (Not) Good”. Can you share the inspiration behind the song and what it means to you personally?

A: “I’m (Not) Good” is probably one of the most honest songs I’ve written. The inspiration came from that feeling of holding it all together on the outside while quietly falling apart inside. I’m naturally bubbly and I tend to say “I’m fine” even when I’m not but the truth is, I keep a lot bottled up. Writing this song was my way of finally admitting that sometimes, I’m not good and that’s okay.

Q: You co-wrote “I’m (Not) Good” with Lexie Jay and Hill Kourkoutis. How did this collaboration shape the track’s sound and creative process?

A: Writing “I’m (Not) Good” with Lexie and Hill was pure magic. There’s just this natural chemistry when the three of us get in a room, it’s like we all tap into the same emotional wavelength. That day, we were talking about how heavy everything felt, both personally and in the world. There was this shared feeling of holding it together on the outside while quietly unraveling inside. We knew we had to capture that raw honesty in the song. It’s like the idea was just floating in the room, and we grabbed it. The whole process was fast and fluid; everything just clicked. I truly believe that when the energy is right, the song almost writes itself and that’s exactly what happened with “I’m (Not) Good.”

Q: The song features a bold, bass-driven sound and marks a new sonic direction for you. What motivated you to explore this territory, and how does it reflect your evolution as an artist?

A: It definitely marks a new chapter for me sonically. I’ve wanted to tap into this bold, bass-driven sound for years—I’m a huge fan of PVRIS and BANKS, and that darker, moodier vibe has always inspired me. It’s been a long time coming, and I finally felt ready to lean into it. Working with Hill Kourkoutis really brought that vision to life. She understood exactly what I wanted to create. This track is just the beginning. I’m excited to head even deeper into that sound with my debut album, more grit and a lot more truth.

Q: Your vocals are a standout in “I’m (Not) Good.” How do you approach conveying raw emotion through your singing, and what techniques did you use in the studio for this track?

A: Thank you! I think a big part of conveying raw emotion in my vocals comes from my roots. I grew up in a small town with just one vocal teacher—and she taught classical. Even though my music leans more alt-pop, that classical training shaped my voice in a way that’s different and unique. It gave me the foundation to control my voice but also the freedom to push its limits emotionally. To me, it’s all about being real—if I’m feeling it, I want you to feel it too.

Q: You’re performing across Europe in May and at the Osheaga Festival in August. How do you prepare for such high-energy shows, and what can fans expect from your live performances?

A: I’m so thrilled to be currently on tour across Europe and getting ready to play Osheaga this August, it honestly feels surreal. It’s my second tour in Europe and it’s been the best! Preparing for high-energy shows takes a lot of work, and I’m not gonna lie, I rehearse a lot! Every single day if I can. I want every performance to be powerful and real, so I make sure my vocals are strong and my energy is up. My classical training definitely helps with that stamina and control. And playing Osheaga this year is going to be a full-circle moment. I’ve been going to that festival for years, always dreaming of being on that stage. Now it’s finally happening.

Q: Your magnetic stage presence has been a hallmark of your career. How do you tap into that energy and connect with audiences, especially in iconic settings like Osheaga?

A: Thank you! For me, being on stage is where I feel most alive, it’s like everything clicks into place. I think a lot of that energy comes from starting so young. I was singing in bars with my mom when I was just 7, so performing has always felt like home to me. There’s something electric about stepping out and feeling that connection with the crowd.

I truly believe that visualization and hard work are key. I’ve been going to Osheaga for years, always picturing myself on that stage. To finally be doing it this year feels surreal, and I’m ready to bring everything I’ve got. My goal is always the same: to make every single person in the crowd feel like they’re part of something real and unforgettable.

Q: In 2024, you toured extensively and went viral on TikTok with 17 million views. How have these experiences influenced your approach to music and connecting with fans?

A: Touring and going viral on TikTok with 17 million views were absolute game-changers for me. Being on the road, especially across the U.S. and Europe, gave me the chance to connect with fans face-to-face. Seeing people sing the lyrics back to me, feeling that energy in real time, it reminded me of why I do this. It’s not just about the music; it’s about creating moments we all share together.

The TikTok moment was surreal. It showed me the power of connecting with people instantly, no matter where they are in the world. It made me realize how important it is to be open and authentic, not just on stage, but online too. I started sharing more behind-the-scenes moments, vlogs, raw clips, and real thoughts, and the response has been incredible. Both experiences pushed me to be more vulnerable and more present with my fans.

Q: Your Razzle Dazzle project made waves last year. How does “I’m (Not) Good” build on or differ from that body of work in terms of themes or sound?

A: 8 is actually my favorite number, so last year I decided to challenge myself and release 8 songs over 8 months, always on the 8th of each month. It was definitely a wild ride! Staying consistent with releases pushed me creatively and kept me super connected with my fans. It was challenging, but it also taught me so much about discipline, planning, and just trusting the process.

Thematically, “I’m (Not) Good” marks a shift from the energy of Razzle Dazzle. While Razzle Dazzle was all about empowerment and confidence, this track is about confronting the moments when you’re not okay and being real about it. It’s messy, it’s honest, and I wanted the production to reflect that rawness.

I think it’s the beginning of a new era for me, one that’s a a bit more unfiltered, but still full of that raw energy I love. Releasing those 8 songs over 8 months taught me to embrace the process and stay authentic, and “I’m (Not) Good” is the next step in that evolution.

Q: As a Montreal-based artist, how does the city’s vibrant music scene inspire your work, and do you feel a special connection performing at home during Osheaga?

A: Absolutely! Montreal has always been a huge part of my journey.Playing at Osheaga this year is truly amazing. To finally be part of it and in my hometown means everything. It feels like sharing that moment with family. There’s something about performing at home that’s different from anywhere else. The connection is deeper, the emotions hit harder, and I’m just so grateful I get to experience that on such an iconic stage.

Q: What’s next for you after the single release and tour? Are there any new projects or creative goals you’re excited to pursue in the alt-pop space?

A: “I’m (Not) Good” is just the beginning, it’s the first single from my debut full-length album, so you can definitely expect a lot more music coming your way. I’m diving headfirst into this new era, and I’m so excited to share everything we’ve been working on. We’re planning tons of new content, more behind-the-scenes moments, and of course, more touring. I want this project to be bigger, bolder, and more connected than anything I’ve done before.

This album is the most personal and raw I’ve ever been, and I’m ready to bring that energy to as many stages as possible. I can’t wait for everyone to hear it and to experience it live.